Dialog Editing Part 6: Dialog Editing Basics

The dialog editor is responsible for going through all of the dialog tracks for the following: Organizing files on audio tracks Sorting through tracks and removing regions so only usable or preferred/best mics are remaining. Once the appropriate mics are in place: adjusting fade ins, fade outs, cross fades, and filling in holes as necessary. … Read More

Dialog Editing Part 7: Dialog organization for different projects

Dialog organization There’s a lot of different ways to organize dialog and the style can change depending on a few factors (like the genre of the project or the mixer you’re editing for). Here’s a general overview. Documentary/Reality tv When working on reality tv shows (or documentary), it helps to have two sets of dialog … Read More

Dialog Editing Part 8: Other responsibilities for the dialog editor

While you’re editing, there’s a few things to look out for: Shifts in Ambience The ambience is the background sound of production dialog. What you need to listen for is: Shifts in ambience when switching between mics Background noises that come and go unnaturally (like an airplane noise or lawnmower that come and go because … Read More

Dialog Editing Part 9: Frankenbites

A frankenbite is a slang term used typically in reality television. It’s when a picture editor assembles together dialog from multiple sources or interviews to make someone say something they didn’t actually say. While that sounds bad (or potentially unethical), you have to consider that sometimes picture editors have hundreds or even thousands of hours … Read More

Dialog Editing Part 10: Delivery

If you are delivering an audio edit to a mixer, the process is fairly simple. Save session as a new file name (for your own reference, so using the same naming convention with “delivery” at the end) Delete Unnecessary Tracks Do a Save Session Copy Get copy to the mixer The goal of this process … Read More